FUMC was seeking to upgrade their sound system. Because of the historic nature of the building (listed in the Colorado State Register of Historic Properties), no drilling was allowed, requiring reuse of existing hang points. The new sound system needed to be installed exactly where the old cluster was positioned.

Additionally, the room is very reverberant, with significant re ections, posing a challenge for speech intelligibility. The coverage area was approximately 120 feet deep and 140 feet wide, and had to be covered entirely from the central cluster position.

The Anna solution provided the ability to cover the entire venue very precisely from existing hang points. Installation was simple, since no angle had to be applied to the array and only minimal cabling was required. Installation was further simplified through the use of Resolution to model and upload directivity.

Purpose Church in Pomona, CA had an outdated audio system. It’s 2,000 seat fan-shaped sanctuary with wraparound balcony necessitates 180° of consistent coverage at every seat. Re ective surfaces abound so the room is very reverberant, and a variety of services and programs along with two distictly di erent music groups dictate that any mix changes must happen instantly.

Enter Anna. 24 of them in a LCR configuration for the wide format sanctuary. Coverages required are full room, main seating only, without the balcony seating, or even small intimate performances. Presets for all were assigned and changes occur with just a few clicks. No mechanical adjustments take place – Adaptive Performance occurs through Resolution 2 software alone.

When the Chesapeake Energy Arena decided to upgrade its 15
year old sound system, they brought in consultants Marsh/PMK.
The arena serves 18,000 patrons and is multi-use, including
full house sporting, concert, and rodeo events. It also has
retractable floor seating and at times closes off the upper
deck for smaller events.

Marsh PMK worked with integrator Ford AV to employ a central
scoreboard system of 40 Anya modules in four arrays of two
columns each. Another deciding factor to use Adaptive was its
namesake benefit of adapting nearly instantaneously to various
coverage requirements through presets recall for the CEA’s
various event styles.

The EAW ADAPTive system was specifically chosen for the ability to create concert level output within the constraints of an urban setting.  The sound system is easily able to minimize the sound spilling into the surrounding communities through precise control of the sound coverage area using digital signal processing. The system has lived up to its reputation and has performed flawlessly in the harsh environment of this outdoor saltwater location since it’s 2018 opening season.

When The Brooklyn Tabernacle, a multicultural, non-denominational megachurch, moved into its current facility in the heart of downtown Brooklyn 21 years ago, its three cluster PA system served the church well. As the years have passed, church leaders realized the need to upgrade to more current technology to continue to serve the needs of the church.

The original system was an EAW rig designed by Craig Janssen, managing director at Idibri, over twenty years ago. One of the main components of the original project with Idibri was to acoustically treat the room. Craig and Idibri also consulted on the design of the new PA system.